I Want to Hold Your Hand Totally Explained

Everything about I Want To Hold Your Hand totally explained

"I Want to Hold Your Hand" is a song recorded in 1963 by The Beatles, composed by John Lennon and Paul McCartney, which started the British Invasion of the United States music charts. It was the first Beatles record to be made using four-track equipment and the Beatles' first number-one song on the Billboard Hot 100 chart, heralding nineteen more number-one singles by the Beatles in the United States. It also held the top spot in the United Kingdom charts. A million copies of the single had already been ordered on its release. "I Want to Hold Your Hand" became The Beatles' best-selling single worldwide.
McCartney and Lennon didn't have any particular inspiration for the song, unlike some of their later hits such as "Yesterday", "Hey Jude" and "Strawberry Fields Forever". Instead, they'd received specific instructions from manager Brian Epstein to write a song with the American market in mind.

Writing in a basement

Epstein was worried about The Beatles' lack of commercial success in America—their earlier singles had flopped there—and so he encouraged Lennon and McCartney to write a song that would appeal to American listeners. McCartney had recently moved into 57 Wimpole Street, where he was living as a guest of Dr. Richard and Margaret Asher. Their daughter, actress Jane Asher, had become McCartney’s steady girlfriend since first meeting earlier in the year. This location briefly became Lennon and McCartney’s new writing base, taking over from McCartney’s Forthlin Road home in Liverpool. Margaret Asher taught music in a “small, rather stuffy music room” in the basement and it was here that Lennon and McCartney sat at the piano and composed 'I Want to Hold Your Hand'. In September 1980, Lennon told Playboy magazine:
In 1994, McCartney agreed with Lennon's description of the circumstances surrounding the composition of "I Want to Hold Your Hand" saying:

In the studio

The Beatles started recording "I Want to Hold Your Hand" at Abbey Road Studios in Studio 2 on 17 October 1963. Notably, this marked the end of the Beatles using two-track recording; from then until 1968, all Beatles releases were recorded on four-track machines. Curiously, the song’s intro has an extra half a beat leading into the vocal. As it's unlikely to have been recorded in this way (the Beatles never played it like this live, although they did have to mime to it) it's therefore probably the result of an imperfect edit - the whole intro section from an earlier take spliced onto take 17. A studio montage in The Beatles Anthology includes an audio clip of McCartney instructing Ringo Starr on the dynamics of the drums in the song's intro.
"I Want to Hold Your Hand" was one of the few Beatles songs (along with "She Loves You") to be recorded in German, entitled, "Komm, gib mir deine Hand". Odeon, the German arm of EMI (the parent company of the Beatles' record label, Parlophone Records) was convinced that the Beatles' records wouldn't sell in Germany unless they were sung in German. The Beatles detested the idea, and when they were due to record the German version on 27 January 1964 at EMI's Pathe Marconi Studios in Paris (where the Beatles were performing 18 days of concerts at the Olympia Theatre) they didn't arrive for the session. Their record producer, George Martin, was outraged, and insisted they give it a try. Two days later, the Beatles recorded "Komm, gib mir deine Hand", one of the few times in their career that they recorded outside of London. However, Martin later conceded “They were right, actually, it wasn’t necessary for them to record in German, but they weren’t graceless, they did a good job”.
"Komm, gib mir deine Hand" appeared in full stereo on the US Capitol LP 'Something New' and currently on the new Capitol CD compilation called "The Capitol Albums Vol. I".

Launching the invasion

In the UK, "She Loves You" (released in August) had shot back to the number one position in November following blanket media coverage of the Beatles (described as Beatlemania). Mark Lewisohn later wrote: “'She Loves You' had already sold an industry-boggling three quarters of a million before these fresh converts were pushing it into seven figures. And at this very moment, just four weeks before Christmas, with everyone connected to the music and relevant retail industries already lying prone in paroxysms of unimaginable delight, EMI pulled the trigger and released 'I Want To Hold Your Hand'. And then it was bloody pandemonium".
   On 29 November 1963, Parlophone Records released "I Want to Hold Your Hand" in the United Kingdom, with "This Boy" joining it on the single's B-side. Demand had been building for quite a while, as evidenced by the one million advance orders for the single. When it was finally released, the response was phenomenal. A week after it entered the British charts, on 14 December 1963, it knocked "She Loves You", another Beatles song, off the top spot, the first such instance of the same act taking over from itself at number one in British history, clinging to the top spot for five full weeks. It stayed in the charts for another fifteen weeks afterwards, and incredibly made a one-week return to the charts on 16 May 1964. Beatlemania was peaking at that time; during the same period, the Beatles set a record by occupying the top two positions on both the album and single charts in the United Kingdom.
   EMI and Brian Epstein finally convinced American label Capitol Records, a subsidiary of EMI, that the Beatles could make an impact in the United States, leading to the release of "I Want to Hold Your Hand" with "I Saw Her Standing There" on the B-Side as a single on 26 December 1963. Capitol had previously resisted issuing Beatle recordings in the U.S. This resulted in the relatively modest Vee-Jay and Swan labels releasing the group's earlier Parlophone counterparts in the U.S. Seizing the opportunity, Epstein demanded US$40,000 from Capitol to promote the single (the most the Beatles had ever previously spent on an advertising campaign was US$5,000). The single had actually been intended for release in mid-January of 1964, coinciding with the planned appearance of the Beatles on The Ed Sullivan Show. However, a 15-year old fan of the Beatles, Marsha Albert, was determined to get hold of the single earlier. Later she said:
WWDC, a radio station in Washington, D.C. Eventually he decided to pursue Albert's suggestion to him and asked the station's promotion director to get British Overseas Airways Corporation to ship in a copy of "I Want to Hold Your Hand" from Britain. Albert related what happened next: "Carroll James called me up the day he got the record and said 'If you can get down here by 5 o'clock, we'll let you introduce it.'" Albert managed to get to the station in time, and introduced the record with: "Ladies and gentlemen, for the first time on the air in the United States, here are the Beatles singing 'I Want to Hold Your Hand.'" Another critic declared that the Beatles were "really pretty boring to listen to. Their act is absolutely nothing," and that "[t]heir greatest asset is that they look like rather likable, almost innocent young fellows who have merely hit a lucky thing." For a time Dylan thought the Beatles were singing "I get high" instead of "I can't hide". He was surprised when he met them and found out that none of them had actually smoked marijuana.
   Although the song was nominated for the Grammy Award for Record of the Year, the award went to Astrud Gilberto and Stan Getz for "The Girl from Ipanema". However, in 1998, the song won the Grammy Hall of Fame Award. It has also made the list in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In addition, the Recording Industry Association of America, the National Endowment for the Arts and Scholastic Press have named "I Want to Hold Your Hand" as one of the Songs of the Century.
"I Want to Hold Your Hand" wasn't subject to numerous cover versions like other Beatles songs such as "Yesterday" or "Something", although Arthur Fiedler & the Boston Pops Orchestra did attempt an instrumental version in 1964, which actually rose as high as number 55 in the American charts. Another cover was by the Moving Sidewalks, who made a psychedelic version in the late 1960s. French parodic band Odeurs covered the song as a military march sung with a strong German accent. The pre-"Dirty Water" Standells performed the song in a guest appearance as themselves in the sitcom The Munsters, along with another song called "Do the Ringo." Lunarock, a Canadian band based in Sailor Moon fame, did a cover of the song as well. Most notably, bop-guitarist Grant Green included a stunning jazz recording of "I Want to Hold Your Hand" as the title track of a 1965 album. Interestingly, the other tunes were jazz standards, perhaps validating Green's prescient appreciation of the Beatles' burgeoning musicality. The American band Sparks also delivered an unusual Philadelphia Sound-style cover of the song in the mid-1970s. It was also covered by R&B band Lakeside. The Beatles/Metallica fusion group Beatallica performed an homage to the song, titled "I Want to Choke Your Band", on their 2004 eponymous second album. Neil Innes' the Rutles also memorably pastiched the song with laser-like accuracy as "Hold My Hand" in 1978, while British pop duo Dollar had a UK Top 10 hit with their version in January 1980 (coincidentally charting simultaneously with The Tourists' cover of "I Only Want To Be With You", which had originally been a hit for Dusty Springfield concurrently with the Beatles' version of "I Want To Hold Your Hand"). On Devo's debut album,, the song Uncontrollable Urge opens with a distorted version of I Want to Hold Your Hand's opening riff. In the 2007 film Across the Universe, T.V. Carpio sings a slowed-down cover version of the song in character as a young lesbian pining over a seemingly unattainable classmate.
   For the 2006 album Love, coinciding with the Cirque Du Soleil production of the same title, George Martin and his son, Giles, melded the original studio recording (truncated) with a live performance at the Hollywood Bowl, complete with screaming hordes of teenage girls and the famous introduction from The Ed Sullivan Show, "Here they're ... The Beatles!!"
   The Beatles' recording of this song also appeared as the opening track in the 1997 Time-Life 6-CD boxed set, "Gold And Platinum: The Ultimate Rock Collection", marking one of the very rare times that a Beatles recording was featured in an American-released various artists compilation collection. This set also featured one song each from the solo members of the Beatles: "It Don't Come Easy" (Ringo Starr), "Band On The Run" (Paul McCartney), "(Just Like) Starting Over" (John Lennon) and "All Those Years Ago" (George Harrison).

Melody and lyrics

Reminiscent of Tin Pan Alley and Brill Building techniques and an example of modified thirty-two-bar form, the song is written on a two-bridge model, with only an intervening verse to connect them. The original song has no real "lead" singer or even a clearly defined melody, as Lennon and McCartney sing in harmony with each other. It could be argued that Lennon is leading McCartney, as Lennon's vocals are more prominent on the recording; however, when the Beatles performed the song on The Ed Sullivan Show on February 9, 1964, McCartney's vocals could be heard more clearly (although this may have been due to a poor audio mix).

Credits

John Lennon – vocal, rhythm guitar, handclaps

Paul McCartney – vocal, bass, handclaps

George Harrison – lead guitar, handclaps

Ringo Starr – drums, handclaps Credits: Ian MacDonald
Note: Hand claps are evident on overdub but can not be accurately assigned to all four Beatles without definitive proof.

Further Information

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